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MAXON has also completely re-worked the Spline Tools in Cinema 4D R17 which will really increase the speed and accuracy of modeling inside Cinema 4D. Material Override deserves some limelight as do the Render tokens which are powerful components of the new Take System. The new Color Chooser also looks great and is very easy to understand. You can " Color your 3D world using a color wheel, photo reference, screen picker, customizable swatch library or one of many color models." There's also a Photo Mosaic mode where you can quickly generate color swatches from any photo.
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In addition to the Take System, Cinema 4D R17 has added a new Color Chooser, a very powerful way to help the Cinema 4D user to create, blend and save color types in their projects. That culture, as I've come to know very well, is one that is focused on three things: listening to it's customers, providing significant and useful updates to it's application and making sure that any release of Cinema 4D is as solid and bug-free as they can make it. I've enjoyed attending the annual Press Luncheon at Siggraph that MAXON USA puts on and have learned a lot about the culture that MAXON has created around Cinema 4D. Since then, I've followed Cinema 4D and the company that created it, MAXON, very closely. My good friend, M dot Strange, was an advocate of the program and encouraged me to learn more about it.
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Joris Oprins, co-director of A Single LifeĬinema 4D was the first application I chose to follow when I entered the world of computer graphics technology as a reporter back in mid-2000.
#Cinema 4d studio release 17 professional#
"Cinema 4D is user-friendly, integrates well with other professional applications and delivered us the creative advantage we needed to work quickly and translate our ideas onto the screen perfectly."